DanceMalaysia

This edited article shares the journey of Malaysian dancers not of Indian ethnicity or Hindu faith who completed their Arangetram which is a solo debut performance that announces the presentation of the trained Bharatanatyam dancer on stage to the public. In Malaysia, dance is often viewed as the performative symbol of ethnic identity, and national unity, or as a tourist attraction. This is showcased at all government-sponsored platforms including global summits, sports spectacles, and state banquets. Against this social and cultural landscape in Malaysia, this article focuses on and highlights how the practice of Bharatanatyam by non-Indian, non-Hindu dancers trained at ASWARA, blurs boundaries of race and religion in embodied ways. Norbaizura Abd Ghani, Mohd Yunus Ismail, Mohammad Khairi Mokthar, Imran Syafiq Mohd Affandi, and Fatin Nadhirah Rahmat who are Malay Muslims; four Chinese namely Elaine Ng Xinying, a Roman Catholic, Kimberly Yap Choy Hoong, a Protestant Christian, Madeline

The Singapore Youth Festival (SYF),  launched on 18 July 1967,   was originally organized by Education Programmes Division to  encourage school-going Singapore youth to develop their artistic talents. Held each year in March and April,  the festival gained added significance in 1994, when then Prime Minister Goh Chok Tong declared it a national event. Since  2012, its facilitation, and management have been led by the Student Development Curriculum Division of the Ministry of Education.                  Despite its national endorsement, the organization of the festival has not been smooth sailing. It has encountered challenges and resistance from a society driven by academic excellence and financial success, particularly in the 1970s, as a developing nation. The primary reason was many felt that devoting numerous hours to rehearsals and performances would keep the students away from their textbooks therefore affecting their grades, and jeopardizing entrance into prestigious universiti